![]() ![]() In order to make ends meet, Alex takes to being a maid. The two have no money and are living in a shelter. Qualley stars as Alex, a young woman who’s recently left an abusive relationship with her young daughter in tow. Netflix released the first trailer on Tuesday, which you can watch below. The Mary Sue has a strict comment policy that forbids, but is not limited to, personal insults toward anyone, hate speech, and trolling.After breaking out on HBO’s “The Leftovers” and delivering a stellar leading turn in the 2017 feature “Novitiate,” actress Margaret Qualley is entering the Netflix limited series game with “ Maid.” The one-season series is inspired by Stephanie Land’s memoir, “Maid: Hard Work, Low Pay, and a Mother’s Will to Survive” and is created and written by “Shameless” writer and playwright Molly Smith Metzler. Want more stories like this? Become a subscriber and support the site! And in lieu of a standalone Huntress film or series, Winstead’s performance is more than worth the price of admission. So turn off your brain, grab the popcorn, and enjoy some escapism. You could do a lot worse with a weekend Netflix offering. But those are clearly themes that the film isn’t interested in exploring beyond the surface.ĭespite its shortcoming, at a lean hour and 46 minutes, Kate makes for a solidly entertaining watch. There’s rich territory to explore with Kate as a foreigner in Japan, as well as Ani’s own struggle to fit in as a biracial teen. While the film is hampered by an uninspired script that makes every obvious choice, there’s enough style to overcome the film’s complete lack of substance and its near-fetishization of Japanese culture. Between the fight choreography and Winstead’s compelling performance, Kate makes a case for itself where similar films have floundered. Each hit bruises, as Kate’s rapidly deteriorating body keeps fighting. The result is a series of creatively violent and thrilling fight sequences, which sets Kate apart from standard action fare. Kate also reunites Winstead with her Birds of Prey stunt coordinator Jonathan Eusebio, who has previously worked on all three John Wick films. Winstead does excellent work in the action sequences, and brings gravitas and gallows humor to a thinly drawn archetype. But what it does have is Mary Elizabeth Winstead, who has transformed herself into a confident an extremely watchable action star. Kate does little to reinvent the wheel, with predictable twists and turns that will only be surprising if you’ve never seen a movie before. More recently, studios have sought to create a female take on John Wick with forgettable dreck like Gunpowder Milkshake, The Protégé, Jolt, and a whole host of Ruby Rose-led vehicles that don’t bear mentioning. Kate is one of many “elite assassin goes on a rampage” films that have sprouted up since John Wick hit theaters in 2014. up to the Jason Statham fever dream Crank. Versions of this story have been told for decades, dating back to the 1950 film noir D.O.A. If the premise sounds familiar, that’s because it is. With only 24 hours left to live, Kate goes on a rampage to murder Kijima (Jun Kunimura) the Yakuza big boss, and kidnaps his niece Ani in an attempt to find him. But after a one night stand with a handsome stranger (Michiel Huisman, who played another disastrous one night stand in The Flight Attendant), Kate is fatally poisoned. The act so shakes Kate that she considers quitting the game and starting fresh. Living in Tokyo, Kate is content to take orders from her handler and father figure Varrick (Woody Harrelson) until a hit goes wrong and Kate ends up shooting a member of the Yakuza in front of his own daughter, Ani (Miku Martineau). the World, Birds of Prey) plays the titular unstoppable assassin. Mary Elizabeth Winstead ( Scott Pilgrim vs. Which brings us to Kate, Netflix’s latest entry into the elite assassin genre. Films like Die Hard, Terminator 2: Judgement Day, The Matrix, and John Wick have inspired a host of pretenders to the throne that, while they share DNA with their predecessors, fail to capture the magic that made those movies iconic. These movies quickly become favorites, and studios scramble to recapture that same magic in derivative efforts. Once every decade or so, an action movie comes out that resets the bar for kinetic, thrilling action sequences.
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